Tuesday 15 September 2020

The Burning God


Book Title: The Burning God
Author: R.F. Kuang
Series: The Poppy War #3
Date Started: September 3rd 2020
Date Completed: September 14th 2020
Genres: Fantasy, Historical, Adventure
Quality Rating: Four Stars
Enjoyment Rating: Four Star
Final Rating: Four Stars
Review:

◆ Thanks to NetGalley and Harper Voyager for this eBook copy for review ◆

The Burning God is a fitting conclusion to The Poppy War trilogy - and, even though it's painful, it always had to end this way. That being said, this still wasn't what I expected from the third book, but that's been true for each instalment and it's never been a bad thing.

The first thing I want to point out about this whole series is the execution of its inspiration drawn from Chinese history and mythology. I read and watch a fair amount of South-East Asian stories, but that in no way means I'm an expert on it - but you can go into these books with next to no knowledge of the context and be wholly transported there because Kuang does such a good job of immersing the reader in Nikara and explaining the context as the story moves along (obviously, a fantastical adaptation of its real-life inspiration, but the point stands). Moreover, the magic and politics and relationships are all so sophisticated in their own rights. They have depth, are believable, and we feel the stakes they each have in Rin's predicament - and still, all three of them have equal weight in the story. That's such a hard balance to strike, and Kaung seems to do it effortlessly.

I've said it in my previous reviews of this series, but The Poppy War deals with all the aspects of (realistic) warfare and its horror with such maturity. If you want to hear more of my thoughts on it, go look at my review of The Dragon Republic. The one thing I would say about The Burning God specifically was that it has a lot fewer glimpses of humour and hope that balanced out the horror in the previous books. It's totally fitting for the story being told, but I missed it a lot and it really highlighted how much effect those small moments had had on the previous books for me.

I, of course, have to once again praise Rin, especially at the end of the series. She is, without a doubt, what sets this series apart from other high fantasy war epics. We as the reader know, wholeheartedly, that Rin is making bad decisions a lot of the time. She is terrifying, totally messed up, and there are so things that I absolutely relate to personally (and get a little scared of how familiar the temptation feels) and I doubt I'm the only one. You don't get to see heroes being wrong in a lot of fantasy - questionable, sure. Almost every protagonist is a thief or an assassin or some indebted criminal. But straight-out wrong, and not even really realising it, is a rarity. And yet, we still root for Rin because she is so painfully human and that's exactly the point.

It's been great reading this series. Those of you that know my reading style know that I usually pace out trilogies over a couple years honestly, but I read The Poppy War last month and now the whole trilogy's over. It's been a breath of fresh air in a lot of ways, has really ignited my interest in South-East Asian history, and I can't wait to see what Kuang comes up with next.

Thursday 3 September 2020

The Memory Police


Book Title: The Memory Police
Author: Yōko Ogawa
Date Started: August 27th 2020
Date Completed: September 3rd 2020
Genres: Dystopian, Magical Realism, Literary
Quality Rating: Four Stars
Enjoyment Rating: Three Star
Final Rating: Four Stars
Review:

Well, I don't know what The Memory Police is trying to say to me, but I know that I enjoyed it. There's an allegory in there somewhere, and probably with a bit of research and thinking I could work it out, but it was a pleasant enough experience without wholly understanding what it meant.

The Memory Police is a dystopia, set on an unnamed island where objects spontaneously 'disappear' from people's memories and all traces of which are subsequently destroyed by the authoritarian police mentioned in the title. But it's a dystopia that's more concerned with the experience of the people trapped in it than challenging the authority or solving it altogether. For me, it reads more like magical realism than science fiction, and I would keep that most in mind because if you don't get along with speculative, slightly abstract musings without an actual explanation for why things are happening, you're probably headed down the wrong path with this book.

The book is beautifully written and translated. Although there is a storyline and tension, it's really a meditation on the importance of memory as identity and our fixation on objects to tie them to, and what actually constitutes emotional value and remembrance. Different characters have different opinions on this, and I really liked that fact that there was no clear cut solution or point of view that won out. The people who forgot the objects felt no grief for their lost memories - and is it really fair to get angry/upset with someone for no longer identifying with something, all completely out of their control? But is it also the duty of people who do remember to preserve what is forgotten for those who forget? The fact that the novel is also from the perspective of someone with an acceptance of their situation (maybe with some hope, if not belief, that it could change), rather than the typical rebel, was refreshing.

Honestly, it's almost the same thing over three hundred pages - very little actually changes even with little discoveries or emotional arcs. I don't think that was a bad thing, it was actually fascinating for me, but it's probably suited for a particular kind of reader.