Hamnet

Book Title: Hamnet

Author: Maggie O'Farrell

Date Started: November 20th 2021

Date Completed: November 27th 2021

Genres: Historical

Quality Rating: Five Stars

Enjoyment Rating: Five Star

Final Rating: Five Stars

Review:

Hamnet is a magical, visceral, enchanting gem of a book. It's about a handful of people and their lives at a time in history we know a lot about in grand terms, but rarely think about in terms of day-to-day life. While parts of it are undoubtedly fictionalised, O'Farrell weaves a wonderful reimagining of the best storyteller perhaps ever to put pen to paper and, more importantly, the people around him.

I knew a little about Shakespeare's life, mostly from school, but O'Farrell makes the history accessible to those who may know nothing. And what a wonderful way to break the canon of male biographies by putting his wife truly at the centre as the protagonist. This isn't to say that the book doesn't celebrate his skills - it absolutely does, despite the fact that the name William Shakespeare isn't mentioned once within these pages.

I'm not going to comment on how accurate it is because I don't know and I don't think it wholly matters. O'Farrell has created one of the most otherworldly and yet insanely cathartic stories around very real people that we know precious little about. As she says at the end of the book, the overachiever William may have been in script didn't translate directly to records; he has an ironic lack of a paper trail. Even more so for the people at a lesser status; his wife, his mother, sister, daughters, even Hamnet himself who is only recorded in his birth and death records. What O'Farrell does is fill in the gaps with gold.

It's not rare knowledge to know that the play Hamlet, a personal favourite for myself and I'm sure millions of others, shared its name with Shakespeare's son who died young. What O'Farrell offers us is a reimagining of why this is so, found at the end of an epic and yet charmingly insular story about a husband and wife who had always tried to escape the world they lived in. It's simply magical to read and fall in love with Agnes, Eliza, Judith, Bartholomew, Susanna, the baker's wife, Edmond, Mary, (not such much Joan and John) - and, of course, Hamnet.

Sistersong

Book Title: Sistersong

Author: Lucy Holland

Date Started: November 13th 2021

Date Completed: November 20th 2021

Genres: Historical, Fantasy

Quality Rating: Three Stars

Enjoyment Rating: Two Star

Final Rating: Three Stars

Review:

I read halfway through Sistersong before I decided to call it a day. Ultimately, it was very slow and when events would eventually happen I had predicted them from twenty pages before. Perhaps my biggest issue was not being able to connect with the three protagonists; they may have been characterised differently, but their internal monologues were all the same combination of YA-reminiscent complaining and confusion with very little actual effort to do anything.

I wanted to give up every time I started a new chapter. There was nothing obviously wrong, I was just bored and the story felt like it was taking its sweet time to go anywhere. It's a tough one because not all stories need to establish a 'goal' that you're working towards, but I do think there needs to be a sense of working towards something. This book didn't have that, and I could probably call the final events even now.

I suppose what was even more frustrating about Sistersong was that the titular sisters did nothing at all; things just happened to them. They were ultimately really passive in the events of the story as far as halfway into the book (where I finally did give up). Yes, the cultural and societal positions they were existing within limited them in a lot of ways but even in their internal narratives they were never the ones actually challenging or questioning anything. They were merely reacting to other people's action. For feminist retellings especially (of folklore and fairytales no less), the passivity or activity of the characters really should be a priority to get right.

And look, just because it's got a corrupt priest and mentions the words 'magic' does not make it comparable to The Bear and the Nightingale. Looking through the reviews, it seems a lot of people were sold is as like Circe as well. I'm sure I see that other than it's a feminist retelling. Just ticking the boxes of oppressed women and loose folklore inspiration does not mean they're the same fairytale style or achieve the some feeling of vibrancy and wonder - nor do they necessarily intend to. Sistersong didn't need to be set up like that honestly as its telling a story from a different point in time (medieval?) where folklore meant something different to the people we follow, and their relationship to Christianity had its own battles. As much as I'm a sucker for comparisons to these books, I really don't think marketing them as such when it's simply inaccurate helps either the reader or the book.

The Silver Tracks

 Book Title: The Silver Tracks

Author: Cornelia Funke

Series: Reckless #4

Date Started: November 7th 2021

Date Completed: November 13th 2021

Genres: Fantasy, Adventure, Romance, Mystery

Quality Rating: Five Stars

Enjoyment Rating: Five Star

Final Rating: Five Stars

Review:

There's something truly magical about childhood favourites following you into your adult years and maturing alongside you. Okay, I was maybe a teenager when Reckless first came out, but having grown up with Inkheart, Dragon Rider, The Thief Lord, Igraine the Brave, to find the same magic and wonder in Funke's newer works as an adult is really precious.

Funke's Mirrorworld, with its fairytale versions of our world, teeming with mythical creatures and folkloric dangers, will always be so dearly beloved to me. Funke (amongst others like Angela Carter, Margaret Atwood, Philip Pullman, Neil Gaiman, Holly Black & Tony Diterlizzi) is no small part of the reason I grew up to make fairytales myself (albeit onscreen), and the Reckless series might just be the one that best explains why. The treasures that Jacob and Fox hunt for aren't just shiny; they grant desires and access over obstacles. Trinkets that freeze a perfect moment forever, that let you know where your loved ones are at all times, that allow you to transform into something that lets you freely run around in the night. These books distil why fairytales are so alluring to us, and why they are made to begin with; to allow us to access things the real world won't let us. The books are in no way meta about this, but reading them reminds me why fairytales are such a fabulous form of escapism and storytelling - and that's the best way to be pay homage to an inspiration or source text.

The Silver Tracks really puts the angle of Jacob and Fox's journey in a new direction, and starts to give shape to what I imagine will be the finale of the series. That being said, I love that Funke balances the more mature developments in their lives with the excitement of treasure hunting and adventure. We still explore the Mirrorworld and get to see plenty of trouble, which I feel like sometimes peters out in a lot of Young Adult literature when two protagonists become a couple. Funke knows there's is far more exciting and important things for them to overcome than angsty squabbles.

As this series has developed, it's been so cool that we've kept in contact with all these characters from across the books, not just as references but as pivotal characters. All these intersecting lives add to the vibrancy and realness of the story; I definitely wasn't expecting Clara to keep showing up after the first book, and the network of spies and treasure hunters Jacob and Fox have at their disposal comes in very useful. On top of that, we also get to meet new people as well - and I'm just saying that so that I can mention how fast Hideo become one of my absolute favourite characters.

The Reckless/Mirrorworld series is so vivid and lush and imaginative and wonderful. If Inkheart was a love letter to fairytales, then this series is the epic poem it deserves (did you spot the Inkheart reference in the book?). The fact that The Silver Tracks developed the Jacob and Fox's story as adults, gave us more wonder and beauty, and even let us see the Mirrorworld equivalents of Korea and Japan just had gushing the whole time. I desperately hope it doesn't take another six years for the next one, but if it means a story like this I'll wait two decades.

The Bone Shard Emperor

 Book Title: The Bone Shard Emperor

Author: Andrew Stewart

Series: The Drowning Empire #2

Date Started: October 18th 2021

Date Completed: November 7th 2021

Genres: Fantasy, Adventure, Mystery, Romance

Quality Rating: Five Stars

Enjoyment Rating: Five Star

Final Rating: Five Stars

Review:

◆ Thanks to NetGalley for this eBook copy for review ◆

The Drowning Empire (love that new series title) has quickly become one of my favourite ever series thanks to its rich world-building, complex mysteries, tricky politics, compelling characters and stunning prose. It's one of those books that makes you desperately excited to devour, but then welcomes you into its universe so well that you slow down completely unconsciously just to be immersed in every moment.

I loved that The Bone Shard Emperor mixed up the structure from the first book a little bit. If you didn't know they were written by the same person you would definitely be able to tell with Stewart's distinctive ability to play on character and place, but there's a new way of exploring these characters and their vices in this novel. Each plot line intersects a lot more than in the first book as well, but each person very much remains the protagonist in their perspective which is so cleverly done.

Once again, the mysteries are found out slowly by picking up clues that the reader gathers alongside the characters, and yet more are laid out for the next (last?) instalment. I loved that The Bone Shard Emperor followed the shock waves of the first book's events but introduced new politics and doom for Lin to handle. While absolutely telling its own story arc in one book, the plot reaches across into the past and future as well, creating a sense that the story we are reading is a sprawling epic that still has plenty to surprise us with.

As mentioned in my review of The Bone Shard Daughter, these books are wonderful, varied, complex casts of characters. From emperors to smugglers, gutter orphans to rebels; I adore having a protagonist who is a magical scholar and (unwillingly) a politician, as well as side-characters who are mothers, warriors and conquerers. There is no tokenism and no gratuitous titles: these are who these characters are and strongly influence the way they impact the world. It's amazing how steadfast Stewart is able to keep them in their characterisation, never flinching from making things difficult for our beloved cast because, let's face it, that's exactly what the person would do.

I wish Andrea Stewart all the best in writing the next one because I am desperate for it. I'm so grateful to have been given both The Bone Shard Daughter and The Bone Shard Emperor for review, although I'm now aware I'm going to have to wait even longer for the third instalment in the series and I don't know if I can take it.