Showing posts with label Two Stars. Show all posts
Showing posts with label Two Stars. Show all posts

Thursday, 2 July 2026

Threadneedle, Cari Thomas


Book Title: Threadneedle
Author: Cari Thomas
Series: The Language of Magic #1
Date Started: June 23rd  2026
Date Completed: July 2nd 2026
Genres: Fantasy, Adventure
Quality Rating: Three Stars
Enjoyment Rating: Two Star
Final Rating: Two Stars
Review:

Another book on the did-not-finish pile. Had I been in a more patient mood, I might have gotten further than 130 pages in, but life's too short and this book wasn't for me.

I've never been a massive fan of school plotlines (magic or otherwise), and the Mean Girls set-up has never worked very well for me. But even without my personal preferences, I found the tone of Threadneedle confusing; it seems to take itself very seriously, then jumps into a teenage melodrama. The worldbuilding was disorientating too; without much description in the prose, it felt like a Victorian-esque gothic style, but then in crashes mentions of phones and school lockers.

I wasn't sure what I was picturing most of the time, from settings to characters to magic systems, and it all combined to just be a bit too messy for me to get enjoyment out of.

Sunday, 21 December 2025

Owl King, Bex Hogan



Book Title: Owl King
Author: Bex Hogan
Series: Faery Realm #2
Date Started: December 17th  2025
Date Completed: December 21st 2025
Genres: Fantasy, Adventure, Romance
Quality Rating: Two Stars
Enjoyment Rating: Three Star
Final Rating: Two Stars
Review:

◆ Thank you NetGalley for this eBook copy for review ◆

Around this time last year, I read two books next to each other with Nettle in the title. One was great (Nettle and Bone, turns out), the other was meh. I mistakenly thought this was the sequel to the first, but it was the latter. Oops.

I think overall, I found it unsatisfying as it felt like a children's book (but with a more mature world?). There is charm in the 1001 Nights structure (though it misses the opportunity to truly expand the worldbuilding within it), but the pacing is all over the place. I read Owl King in four sittings, and while the adventure isn't that expansive, an awful lot is going on that I had to remind myself of between readings. There's also a significant role by the first book's protagonist, Nettle, but frankly all of it was lost on me because I have no memory of the actual events of the first one.

My primary resistance to this book itself (rather than just being confused) was the romance and portrayal of abuse, especially as it's a novel intended for younger readers. The titular Owl King is the well-trodden tyrant who takes multiple wives after the last one mysteriously perishes - but worry not, our protagonist's sister will be forced to marry him and, wait for it, fix him of course! I'm being hyperbolic, but 'the magic was too strong' is an awfully convenient excuse for a supposedly reformed serial killer of women to revert to their old ways. However much the plotline may be 'tied up' by the end doesn't relieve the uncomfortable feeling that sat with me through most of the book.

I'm not sure when it happened but the 'save my sister' storyline needs to go into the YA cliche canon. It has very little room for anything other than repetition and seems to just excuse any life-threatening or impossible tasks completely out of its own stakes. I do appreciate the genre's evolution beyond true love's devotion, but I think we've hit another rut - or maybe we just need to be more creative with the concept? Either way, it's another one for the cliche list.

Saturday, 18 January 2025

For She is Wrath, Emily Varga


Book Title: For She is Wrath
Author: Emily Varga
Date Started: January 5th  2025
Date Completed: January 18th 2025
Genres: Fantasy, Adventure
Quality Rating: Three Stars
Enjoyment Rating: Two Star
Final Rating: Two Stars
Review:

◆ Thank you to NetGalley for this ebook for review 

For the record, I put this book down at 51%. I was determined to get far enough into the story for Dania to start acting rather than just talking but, unfortunately, she'd sidestepped actually doing anything too many times for me. This book is very dramatic and grand in its idea of itself, but the actual encounters between characters are trivial. The protagonist builds things up in her prose but does very little to act on her threats when she gets the opportunity.

I really don't need to be told three to five times a chapter that Dania's ex-lover took advantage of her and betrayed her - that's made clear enough in the synopsis and first couple of sentences in the story. I didn't find the relationship flashbacks overly compelling in driving this part of the story (and I would bet that the book ends with them getting back together and it all being a big misunderstanding) but I still understand that you're using the enemies-to-lover trope reversed, please stop spamming the prose with it. This book would be 100 pages shorter and probably more tense for letting the reader draw their own conclusions if this detail wasn't written plainly every couple of pages.

In all fairness, I do think my opinion of the book ultimately suffered from expectations set by the marketing. I was expecting a fresh new take on this well-known trope with a rich magical system, but it ended up quite bland and didn't offer anything new to help me put with the YA narrator.

Saturday, 23 November 2024

Marigold Mind Laundry, Jungeun Yun


Book Title: Marigold Mind Laundry
Author: Jungeun Yun
Date Started: November 19th 2024
Date Completed: November 23rd 2024
Genres: Contemporary, Magicial Realism
Quality Rating: Three Stars
Enjoyment Rating: Two Star
Final Rating: Two Stars
Review:

◆ Thank you to NetGalley for this ebook for review ◆

I honestly found the Marigold Mind Laungry a bit disappointing. I made it 53% of the way through before deciding it just wasn't for me. The sprinklings of magical realism could've elevated the story beyond its domestic setting, and the cast of characters could have been structured to build towards a resolution for the burnout everyone was feeling, but it decided to keep its cards pretty isolated for each person.

It feels quite reminiscent of the sub-genre I've seen a lot in Japanese literature where bookstores/libraries solve everyone's Capitalist twenty-first-century fatigue with life, right down the cyclical short-story structure. These sorts of stories always feel repetitive to me, and vary a lot in how emotionally intertwined the cast of characters are. Such nuance is needed for these books to pay off for me, and it just didn't quite catch it anywhere.

The translation does feel quite awkward, so might be the source of the challenge. I speak some Korean and can tell this is a very faithful translation, but creative license is so important to transpose stories into another language, literally and in spirit.

Saturday, 15 June 2024

The True Queen, Zen Cho


Book Title: The True Queen
Author: Zen Cho
Date Started: June 2nd  2024
Date Completed: June 15th 2024
Genres: Historical, Fantasy, Adventure
Quality Rating: Three Stars
Enjoyment Rating: Two Star
Final Rating: Two Stars
Review:

◆ Thank you to NetGalley for this ebook for review ◆

I suspected I was going to fins The True Queen challenging; I didn't like the first book despite its popularity, but in my quest to finish as many series as I can this year I decided to try again. Unfortunately, no luck.

It's been a while since I decided not to finish a book - but three sittings and 20% through was enough for me on this one. While the narrative is happy doing its own thing, it's the tone that is all over the place. Are these supposed to be children's books? They have the token 'charm' and confusingly dramatic but unthreatening stakes that I'm familiar with in stories with that audience - but there are lots of things that make me think it's probably intended for an older audience. I can see a lot of similarities with the writing of Diana Wynne Jones, but this just doesn't have that sparkle for me.

With all that being said, these vein of stories show we're clearly fascinated with updating and imaginatively evolving this setting. From Carnival Row to Bridgerton to The Paper Magician, regency (ish) England has become a popular backdrop to introduce diversity and a worldview beyond Europe into old fashioned modes of storytelling. It's an exciting opportunity to see through new eyes that I'm enjoying in some other forms, but this one just feels childish to me.

Sunday, 10 July 2022

A Great and Terrible Beauty


Book Title: A Great and Terrible Beauty
Author: Libba Bray
Series: Gemma Doyle #1
Date Started: July 2nd 2022
Date Completed: July 6th 2022
Genres: Fantasy, Historical, Mystery
Quality Rating: Three Stars
Enjoyment Rating: Two Star
Final Rating: Two Stars
Review:

While I really love Libba Bray's Diviners series, I really wasn't feeling this. There are echoes of Evie in all these narcissistic ambitious girls, but none of her complexity and depth brought out by the other varying characters in that series. Gemma felt like she was heading that way and then decided not to bother; I'm all for girls not having to be goody goody two shoes, but I don't feel like rooting for a petty bystander either.

I'm not a massive fan of boarding school settings for exactly this reason - it's just petty bullying and whining and hardly any stakes, all justified by the amazingly basic revelation that bullies are humans and often have their own insecurities. Something which becomes even more infuriating when this is used to completely excuse their behaviour. It's not a massive surprise to me that I didn't like any of the characters and found it very hard to feel for them, even the ones being bullied who only then cared about being part of the clique and routinely become petty and spiteful to stay in the populars' good graces. I was hoping for something dramatic but was mostly expecting it to be the supernatural force after the girls. That, sadly, turned out not to be very dramatic.

The plot relies too much on convenient appearances from random characters so that the scene doesn't actually have to play out to its peak of tension. You'd like this was leading up to some massive reveal to the mystery thrown in our faces the whole way through, but alas, the mystery itself ends up feeling pretty trivial and easily solved (if you hadn't worked it out in the first couple of chapters).

All the above are honestly pet peeves of mine, but I've been known to get along with novels that feature them before. The problem with A Great and Terrible Beauty was that there felt like there were no stakes at all. Every time something creepy or mysterious happened, it was suddenly cut short or resolved immediately, with next to no build-up. And you complain all you want about how restrictive corsets were (which is factually incorrect) or women's lack of power, but for all the scandalous rule-breaking every single woman in the story seems to be a part of, no one seems to experience any consequences whatsoever. You've got scandalised unmarried women having new identities for themselves, moving into flats by themselves, with apparently no means at their disposal. (And yes, there is supposed to be a supernatural power after these girls - but who would know from how little it's in it).

Tuesday, 19 October 2021

Girls of Paper and Fire


Book Title: Girls of Paper and Fire
Author: Natasha Ngan
Series: Girls of Paper and Fire #1
Date Started: September 26th 2021
Date Completed: October 18th 2021
Genres: Fantasy, Romance
Quality Rating: Three Stars
Enjoyment Rating: Two Star
Final Rating: Two Stars
Review:

I didn't finish Girls of Paper and Fire, despite the rave reviews I've come across from other people, and in spite of attempting to persevere for nearly a month. Ultimately, I just wasn't getting anything out of reading it, and life's too short to read books you aren't enjoying.

It's violent and dark and really grim honestly, but then the characters are so YA and insubstantial about it all. I'm all for making these issues accessible but this book tackles so many challenging topics and Lei's just standing there like 'ah, I can't wait for the year to be over so I can visit my dad.' It just feels like it bounces from drowning you in how horrific these girls' experiences is to trivialising it into a teenage romance. Yes, I see Lei is supposed to be naïve (I mean, I also question how naïve she would be growing up in the circumstances she did), but I read halfway through this book and she was still being plain old dumb when I gave up.

I appreciate slow burning plots, but halfway through and the book has mainly consisted of Lei being terribly persecuted a couple of times, and then Mean Girls. I can't even comment on the LGBT+ aspect because Lei had only just noticed she thinks one of the other girls is pretty - which is fine, but when added to the fact nothing else has happened and I just don't have the investment to carry on.

At the end of the day, when the themes are actually dealt with I think they're dealt with well. The detail and world building is interesting, but Lei ruined it for me in imitating a 2013 copy-and-pasted YA heroine. Accessibility and expanding themes tackled for younger audiences is important, but making it feel trivial in comparison to the 'fun' plot isn't the best way to do it. (Disclaimer: I know lots of people really love this book and if it was a cathartic and/or enjoyable experience for you that's awesome. I just unfortunately didn't have that experience.)

Wednesday, 26 August 2020

Night Shine


Book Title: Night Shine
Author: Tessa Gratton
Date Started: August 21st 2020
Date Completed: August 26th 2020
Genres: Fantasy, Adventure
Quality Rating: Three Stars
Enjoyment Rating: Two Star
Final Rating: Two Stars
Review:

◆ Thanks to the author for this eBook copy for review ◆

I loved another of Gratton's novels, The Queens of Innis Lear, when I read it a few years ago and while I can see the stylistic similarities, Night Shine was not for me in the end. I was unsure to begin with but gave it a good chance, and then another, and another; I kept pushing through to halfway, but when I got to that midway point and felt like my original concerns were still very much at the forefront of my reading experience, I decided to move on to something else.

I know that my biggest problem with this book was the protagonist. 'Nothing' was just... not enough to lead it. She's flat and detached, overly theatrical at times when she's supposed to be saving the day out of nowhere, and totally inconsistent. She feels like a ten-year-old and that doesn't develop through the first 50% of the book at all, and it's honestly uncomfortable when all the other characters feel so much more mature and have a great deal of power over her. She also doesn't seem to understand the hierarchies or magic system of her own world past 'demons exist' which makes it impossible for us to.

While I do applaud the LGBT+ inclusion in Night Shine, I am left feeling conflicted about its representation. Kirin, the crown prince, gets his bodyguard to pretend he's a woman while they're away from the castle (that's not a spoiler, it's in the first chapter) - the book seems to imply that Kirin is transgender (more than somewhere else on the spectrum) but continues to refer to the character as 'he' for as much as I read. I honestly would've felt happier if Kirin was referred to as 'she' in the prose, even if the characters had a hard time switching from the male pronouns.

Furthermore, the relationships between Nothing, Kirin and Sky (the bodyguard) straight-up confused me; if it's supposed to be a love triangle, okay, or a three-way situation, fine, but I couldn't work out what the hell it was. And, again, when Nothing feels so much younger and candid than the men it's confusing and a little uncomfortable for me when she seems to be totally at the whim of these boys who feel older and more mature (it's less about her being immature, and more about the emotional power status the men have over her seemingly without her knowing). None of this is helped by the fact that from the very first page both Nothing and Sky have this absolute blind faith and idolistic love in this prince that we have never met and yet are supposed to immediately fall in love with.

I've read a few other people say that they didn't understand the story, and I kind of agree. I love the quest structure and the fairytale-esque style (it's very Snow Queen, East of the Sun West of the Moon, maybe even a little Bluebeard), but the actual goal of the story is so scrambled (and the protagonist doesn't seem to have one herself but is buffeted along a tide of what other people want) that it was hard to follow the purpose of scenes and events. The writing style, I have no problem with. In fact, I really like the dreamy detached narration, I just found it hard to picture what it was narrating. The story just takes a long time to get going and then moves in stops and starts. As I said, I only got halfway through the book and, while many things had happened, it felt like next to nothing had actually progressed in the story.

I don't really understand why this is being marketed as a queer Howl's Moving Castle. Because it has a witch and a curse in it? There's a lot more to Diana Wynne Jones' book than that. I also think that, while the LGBT+ representation is prevalent, it's pinned most strongly to secondary characters that feel less like they're supporting the protagonist's the story and more like they're put on display (I'm aware of the hints that Nothing herself might get a queer romance, but if there's not a strong direction for that halfway through a book where the story's already grinding, I'm not totally sure I'd enjoy it if/when it did happen).

Monday, 27 July 2020

Cursed


Book Title: Cursed
Author: Thomas Wheeler
Date Started: June 17th 2020
Date Completed: July 26th 2020
Genres: Fantasy, Historical, Adventure
Quality Rating: Three Stars
Enjoyment Rating: Two Star
Final Rating: Two Stars
Review:


◆ Thanks to NetGalley for this eBook copy for review ◆

I'm a filmmaker and a screenwriter. I love film and books both dearly. That doesn't mean they're formats that effortlessly blend together without some translation. And that, aside from the lacklustre story, is the biggest problem with this book. Most of the marketing around Cursed is that its publishing is coinciding with the Netflix shows' release too and that it's 'cinematic', so it's hard to see this as anything other than a marketing stunt, sadly, though I imagine at one point it may have been intended to stand on its own feet. As it is, life's too short to read unenjoyable books; I made it 31% of the way through Cursed before I decided to put it down. I am considering watching some of the TV show since it might be more bearable (this, very clearly, doesn't want to be a book, it wants to be a film - and it didn't even manage that).

There were a lot of things I wasn't a fan of as I was reading Cursed, but the thing that made me stop reading altogether was how it very quickly became apparent that Nimue, our 'heroine', was a half-assed attempt at a female protagonist. She's given a sword, magical powers and a sharp tongue, and then left to flail because she has no personality behind it. It's definitely cinematic; it's once again a man writing what he thinks is complimentary and not actually trying to uphold any empowerment in the story. Arthur does more, speaks more, is a more active driving force, has a stronger personality, and already saves her several times even in the 31% of this book I read. I didn't come here to read about Arthur, and I'm tired of putting the 'heroine' label on girls you just want for ticking a diversity box.

Another turn off was that it was so predictable. You can tell it's trying to be cinematic because it's basically a written version of a million different YA/80s films. I've heard all the dialogue a hundred time before, and it's more effective when there's an actor putting emotion behind it. And, weirdly, there's very little tension at all. Even with the really violent and life-threatening situations, it's trying to be a film and therefore working on the assumption that the images and performance will flesh out the visual language on-screen - but wait, this isn't a film! Look, screenplays and novels are different for a reason, they have different limitations and opportunities, and Cursed seems to confuse and/or miss all of them.

Also, what age is this for? It seems to be marketed as Young Adult but I don't think the tone can quite decide itself; it's dark and 'edgy' but simplistic in writing and feels silly or shallow in the plot. Usually, you have to be less violent etc onscreen because the moving image is by nature more explicit - whereas in prose it's up to the reader's imagination for how graphically they see the horrible things in their head. But strangely, this is an example where I think the writing is more graphic than necessary, and for no reason. My only guess is that it's trying to recreate a film which, once again, misses the point of both literature and cinema's unique storytelling abilities.

It's obvious that I think the 'cinematic' aspect of the book is not a selling point, despite the marketing, since it misunderstands the elements of its own medium. The illustrations, as well, don't necessarily save that - a lot of the details of scenes and/or character descriptions don't actually match up. It's a cool art style, but in a plot already flailing either from laziness or dumbness (honestly don't know which at this point), it just confuses things further. As far as a retelling of the myth of King Arthur goes, I can't really comment since I didn't read all of it - I'll just say that this is definitely still Arthur's story, and not Nimue's.

Monday, 22 June 2020

The Sisters Grimm


Book Title: The Sisters Grimm
Author: Menna van Praag
Date Started: June 18th 2020
Date Completed: June 22nd 2020
Genres: Fantasy
Quality Rating: Three Stars
Enjoyment Rating: One Star
Final Rating: Two Stars
Review:

◆ Thanks to NetGalley for this eBook copy for review ◆

Okay. Usually, when I'm not enjoying a book, I try and get 25% of the way through to really give it a good run up at convincing me it's worth my time. And, while the 15% of the way I got through The Sisters Grimm didn't take me that much reading time, I just did not want to continue at all.

The first thing that hit me was that it felt very Disney: wishy-washy fairytale/fantasy with kind of sickly sweet but very bluntly 'twisted' darkness that it just kind of felt silly. You also have quite a lot of sex which is so obviously added to make it feel 'mature', but just makes it feel even more misjudged and childish because it's completely pointless. How old are these characters anyway? Aren't they supposed to be approaching their 18th birthday? I have nothing against girls owning their sexuality but the characters are written with such freedom, independence and priorities that make them feel like they're in their mid-twenties and that's honestly confusing.

The changing perspectives definitely don't help this when they're entirely unmotivated and near impossible to distinguish without the named headings. POVs even change within chapters for seemingly no reason, mixing differently storylines until there's way too much going on and you can't separate one thing from the others. It's almost like Praag was worried that we'd forget about the other characters if she focused on one at a time so she just squished them all together when maybe the book should have been focused on just one of them.

The Sisters Grimm is also so overwritten with vague information-dumping. 15% is a decent amount through a nearly 500-page book and I still have no idea about how this world is supposed to work - even though 70% of what I read was shoving worldbuilding down my throat. I just wanted to shout at it to stop trying to be mysterious and actually tell me a story. The diversity of its protagonists could've driven this, but it fades when no one feels distinctive. A lot of effort went into detailing every tiny little thing that happened in their childhood and with their families, but I honestly couldn't tell you which unnecessary exposition was for which character. I think that's actually the main problem: the book is so concerned with telling us everything that happened before the story that it never gets to the fricking story.

And, yes, I only read 15%. Surely this changes? Well, reading other reviews, I'm not convinced it does. I would've been willing to press through if things progressed further than these tiny snippets of each person's melodramatic domestic life, but it doesn't seem like it will. (I actually very rarely refer to other people's reviews while reading a book, but I needed some confirmation that I wasn't wasting my time - which, sadly, I did not find). It's fair to say Praag lost my trust in her to tell me a story pretty quickly and sadly I just didn't want to keep reading.

Saturday, 16 May 2020

A Pocketful of Crows


Book Title: A Pocketful of Crows
Author: Joanne M. Harris
Date Started: May 14th 2020
Date Completed: May 16th 2020
Genres: Fantasy, Romance, Fairytale, Historical
Quality Rating: Two Stars
Enjoyment Rating: Two Stars
Final Rating: Two Stars
Review:

A Pocketful of Crows was not a fun read for me, to put it lightly. To summarise if you don't want to read all my rantings: whatever it was trying to achieve it didn't, and whatever else was added to the mix along the way wasn't enough to help me get on with it. There are minor spoilers ahead because I had to get out why this book was so utterly infuriating for me, but I'd be surprised if you couldn't see them coming from the first chapter anyway. The book's saving grace was that it was over quickly.

The first thing became apparent to me was the fact that there's no description. Anywhere. Which is really bizarre, especially for a book that's selling itself so strongly on being a fairytale. You can't just list things like mountains and rivers and trees and think that counts as magical. Sure, traditional fairytales don't overload themselves with extensive details about how everything looks or feels, but they are absolutely overflowing with imagery. There is no rhyme or reason to what is listed (it's the same things over and over again, but they don't enrich any metaphors or even give us a specific sense of place or aesthetics). They're just included, I assume, to sound 'mystical', but with no motivation behind them, it fails.

To carry on with the misunderstanding of what a folktale or fairytale is, it feels like nothing happens in this book because we skip over the actual story events. Yes, you're right, fairytales do act in a detached and out-of-time fashion, but they still work because we 1) have the metaphors and imagery to fill in the blanks, 2) are already placed in a situation that we recognise and can fill in other blanks, and 3) are not being overloaded by other information. 80% of this book is listing the same things over and over again, and our unbearable protagonist speaking her mind. It's too much, it's distracting and pointless. I'll also make a point that Harris clearly thinks she's retelling Cinderella (the book itself is literally referenced and comparisons to the protagonist are made again and again), but it's actually a very derivative Little Mermaid narrative, and I'm not sure the author noticed that was what she was writing.

So, okay, structural and technical aspects aside, was the book really that bad? Well, honestly I don't know because I found it hard to care because the characters have no conscience and therefore no fears. Which, actually, means yes. Okay, I get that the protagonist falls in love and is then scorned when she's rejected (clichés abound if you haven't noticed) to the point of wanting revenge. Fine. But if not one really considers their morality or has a moment of doubt (the other characters as well), then there aren't any stakes. So what if they ruin someone else's life? They don't seem to care, and neither does anyone else. 'That's fine, though, because it's a first-person narration so we understand the character's innermost thoughts.' No, we don't. I also think it's a completely stupid idea to use a first-person perspective when the main 'excuse' the book falls back on all the time its supposedly timeless, detached folktale style - which is the exact opposite of what first-person prose achieves. Don't even get me started on the 'I have no name' trope, because you do. You have loads of them whether you like it or not, you can't just ignore them if they bind you because it suits the later narrative.

One thing that I am genuinely confused about (along with the magic rules, but that just wasn't thought through enough) was the fact that the heroine is actually everything she is villainised to be. Isn't she? She is a witch, in some form, right? She has cursed the castle. She has done all the things they've said she did. Of course, I get the feeling we're supposed to think they've making her a scapegoat, but I just don't get it. Sure, they're acting in an exaggerated way because of the misogynistic society, but they're aren't actually fabricating anything. I don't get it. My only conclusion is that Harris is trying to make us see anyone but the heroine as an enemy (which is ironic, because I can't bear the protagonist at all). Don't even get me started on the 

I thought this book was just bad when I was reading it. But then I got to the end where there's this meta-narrative backstory, and I realised that had been the problem the whole time. Harris had been forcing and manipulating everything so that the final 'twist' worked, and in doing so completely sacrificed her story. Somehow, that makes me less frustrated than everything else, because it's just misjudged rather than having no skill. But wow, that was on big mess of a book just so you could have your feminist twist - which honestly doesn't feel particularly feminist. And I don't mean that because it has a female character who is capable of wickedness, or there are women that are selfish, those things are perfectly valid. I say it because there are dozens of sexist clichés thrown into this thing, and at the end it's all dismissed like it never happened, and the women are practically deified, and it's just not that simple. Implying so is honestly patronising.

Sunday, 9 February 2020

The Midnight Lie


Book Title: The Midnight Lie
Author: Marie Rutkoski
Series: The Midnight Lie #1
Date Started: January 16th 2020
Date Completed: February 6th 2020
Genres: Fantasy, Romance, Mystery
Quality Rating: Two Stars
Enjoyment Rating: Two Stars
Final Rating: Two Stars
Review:

◆ Thanks to NetGalley for this eBook copy for review ◆

A few years ago I was persuaded to read The Winner’s Curse by Marie Rutkoski. I thought it would be too much of a romance for my tastes, but I was pleasantly surprised to find it complex, political, nuanced and exciting. When The Midnight Lie came up, I was prepared to be blown away once again. Sadly, this book turned out to be everything I had wrongly assumed the first time round, only this time my expectations were pretty high.

I had two main problems for enjoying this book. The first was that I couldn’t get behind the main character, Nirrim. As a Half-Kith, a ‘lesser’ citizen preyed upon by law enforcement and just about everyone above her, she’s been brainwashed into thinking she’s inferior. Or at least when it serves the plot. The problem is then that she comes across so stupid and/or hopeless that it’s dull. Subsequently, everyone referring to her like she’s clever drags things into unbelievable territory.

My second reservation is the representation of the lesbian (bisexual?) relationship. It begins with us being persuaded that the love interest is a man because Nirrim’s eye-sight and hearing is conveniently easily-led (some girls can seem ‘masculine’, that’s fine, but for the rest of the book she’s pretty feminised in everything apart from clothes – and I suppose the fact that she’s a lesbian (but associating that with masculinity is already problematic). There’s a part where Sid is described offering Nirrim her arm ‘like a man would,’ and when I read that it immediately crystallised what I didn’t like: it really felt like all that had been done was change the gender of one of the characters. But sexuality is so much deeper than that (and gender is likewise, women aren’t just ‘like’ men or women), especially in a society that shuns non-heteronormative orientations.

The plot itself is actually pretty slow; there are these massive stakes but it never actually feels massive. It’s too familiar, it’s too predictable (painfully so), and there’s way too much talking for us to feel the urgency of the moment anyway. Nothing really happens. I don’t really know what the story was supposed to be. A love story? Well, that already rings false. A dystopian class drama? There isn’t enough attention paid to Nirrim’s character traits in that case (she has no problem frivolously throwing a very expensive item into a bet, and she doesn’t seem that offended by Sid’s honestly superficial approach to things). A mystery about where magic comes from in this world? That’s basically never in the forefront so I’d call it a cheap option. But turns out that’s actually what it is.

The key fantastical element that allows Nirrim to succeed (something about Nirrim having an over-active imagination? Magic blood? Mind control?! I’m still unclear) is mentioned at the beginning and then disappears for 300 odd pages and comes into play right at the end. And what a strange ending it is. So off-beat, different from everything up until then, but unfortunately not at all satisfying. There was me criticising the romance for being too important to the story, and then the finale has literally nothing to do with any of it. (Top tip to publishers (ft. SPOILER), maybe selling something on the LGBT element isn’t a great idea when the relationship doesn’t actually last).

Tuesday, 16 April 2019

Tiger's Quest


Book Title: Tiger's Quest
Author: Colleen Houck
Series: Tiger's Curse #2
Date Started: April 12th 2019
Date Completed: April 15th 2019
Genres: Romance, Fantasy, Adventure
Quality Rating: Two Stars
Enjoyment Rating: Three Stars
Final Rating: Two Stars
Review:

Wow, this series is still kind of trash, but I think it was what I needed. Probably won't never ever again, mind you.

Amongst the questionable feminism, the predictable plot and the way-too-much-information style to the writing, there are some really nice bits of mythology in here. It's given in massive information dumps showing off how supposedly clever people are (and is about where that intelligence ends) but I do like it and appreciate the diversity of the myths. A history lesson isn't exactly what I was expecting but it has its moments in there.

The story, sadly, doesn't hold up. At all, really. The first part is pure contemporary romance, a tiny little bit of action and then it's off in fairyland for the actual quest. And that ending uses the oldest trick in the book to create drama and no real tension. As much as there's an easy answer to this, I'm still sat here thinking what was the point of the last two books if you're going to start from square one for the characters.

Let's talk about those characters for a moment. They serve one thing and it isn't the story; it's the love triangle. All good fun in objective terms (very boring on all other accounts), but there's a point where it becomes manipulative. It's not okay for someone who's been told the other person isn't interested and is uncomfortable to continue to push, flirt, touch, tease them. And no one should lead another person's feelings on when they know what their own decision is. It's one thing to struggle to push people away, but it's quite another to perpetuate problematic relationships and write them as if it's okay to be acting like that. 'It was a different time' comes to mind when I read most of this; the female characters, the romance, the world. But then again it only came out in 2011, I'm not sure it's an excuse.

It's good fun, but questionable in most others respects. That about sums it up. And I just skimmed through the reviews (and then plots) of the next book and I think I'm good to leave it off here; it sounds like more of the same.