Book Title: A Court of Frost and Starlight
Author: Sarah J. Maas
Series: A Court of Thorns and Roses #3.5
Date Started: January 18th 2026
Date Completed: January 28th 2026
Genres: Fantasy, Romance
Quality Rating: Three Stars
Enjoyment Rating: Three Star
Final Rating: Three Stars
Review:
A Court of Frost and Starlight is a very novella-esque bridge between novels without a real story, which is a bit sad given Maas has crafted some fantastic short stories with ARCs and consequence for Throne of Glass. It's not a bad idea to set up where the cast find themselves after the first trilogy, getting ready to move into the next, but this book felt mainly motivated to prove one thing: that Feyre and Rhys are the most perfect people to ever exist, apparently.
Yes, okay, we get it. Feyre and Rhys are the most considerate, charitable millionaires ever. Yes, they went through war and now they can only see those families who lost loved ones, how lucky they are (yes, how lucky). Ah, shopping, a luxury they hate but do frequently, as long as we know how guilty they are about it. I exaggerate and there's nothing wrong in principle with these character elements, it's just laid on so thick so many times in this short book, which you probably could see coming when you realise it's a Christmas-themed short story where the most conflict comes from what to get each other as presents.
ACOTAR honestly has never hit me like TOG does. I think it tries to be darker and sexier, but roots that in very surface-level motivations and emotions, which (yes) definitely leads to the steamier scenes sooner, but also feels like it doesn't build up such a complex system of relationships. The war felt much smaller than TOG, even though I'm pretty sure we spend a lot more time on the battlefield. For me, I crave that other sense of epic, mythic sagas where characters both champion and impede each other with their own quests above intimate friendship groups leading the way into battle. There's nothing wrong with the latter, it's just not as moving for me.
I am, however, excited at the prospect of Nesta and some of the other side characters coming to prominence for the next book. Ultimately, they began as foil and conflicts for Feyre and Rhys, but have grown with the series, so to me feel more fleshed out as characters with all the bad as well as the good and charitable. I suppose, following on from why I think I connect with TOG more than this series, I find the way Maas writes messy and defensive compelling.
Yes, okay, we get it. Feyre and Rhys are the most considerate, charitable millionaires ever. Yes, they went through war and now they can only see those families who lost loved ones, how lucky they are (yes, how lucky). Ah, shopping, a luxury they hate but do frequently, as long as we know how guilty they are about it. I exaggerate and there's nothing wrong in principle with these character elements, it's just laid on so thick so many times in this short book, which you probably could see coming when you realise it's a Christmas-themed short story where the most conflict comes from what to get each other as presents.
ACOTAR honestly has never hit me like TOG does. I think it tries to be darker and sexier, but roots that in very surface-level motivations and emotions, which (yes) definitely leads to the steamier scenes sooner, but also feels like it doesn't build up such a complex system of relationships. The war felt much smaller than TOG, even though I'm pretty sure we spend a lot more time on the battlefield. For me, I crave that other sense of epic, mythic sagas where characters both champion and impede each other with their own quests above intimate friendship groups leading the way into battle. There's nothing wrong with the latter, it's just not as moving for me.
I am, however, excited at the prospect of Nesta and some of the other side characters coming to prominence for the next book. Ultimately, they began as foil and conflicts for Feyre and Rhys, but have grown with the series, so to me feel more fleshed out as characters with all the bad as well as the good and charitable. I suppose, following on from why I think I connect with TOG more than this series, I find the way Maas writes messy and defensive compelling.
